A little later than in previous years, the 2013 winner of the Scottish Bloggers and Music Sites Award (or BAMS as it is known affectionately in some circles) was announced, with Chvrches taking the number one spot for their critically acclaimed album, ‘The Bones of What You Believe’.
The votes were cast by 40 writers from 29 different blogs and music sites with 164 different LP’s getting nods. As ever, it was nice to see a few of our picks making the top 10. Boards of Canada, The Pastels and my top pick Kid Canaveral to name a few. Here’s how the masses voted;
1. CHVRCHES – The Bones Of What You Believe (Virgin)
2. Frightened Rabbit – Pedestrian Verse (Atlantic)
3. Adam Stafford – Imaginary Walls Collapse (Song, By Toad)
4. Rick Redbeard – No Selfish Heart (Chemikal Underground)
5. Boards of Canada – Tomorrow’s Harvest (Warp)
6. The Pastels – Slow Summits (Domino)
7. The National – Trouble Will Find Me (4AD)
8. Steve Mason – Monkey Minds In The Devil’s Time (Domino)
9. Kid Canaveral – Now That You Are A Dancer (Fence)
10. Fuck Buttons – Slow Focus (ATP Recordings)
Here’s how your Elba writers voted;
1.Savages – Silence Yourself
2.Veronica Falls – Veronica Falls
3.Boards of Canada – Tomorrow’s Harvest
4.My Bloody Valentine – mbv
5.RM Hubbert – Breaks and Bone
6.Neko Case – The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You
7.Sparrow and The Workshop – Murderopolis
8.Bill Callahan – Dream River
9.Frightened Rabbit – Pedestrian Verse
10.The Pastels – Slow Summits
1.Kid Canaveral – Now That You’re A Dancer
2.Neko Case – The Worse Things Get, the Harder I Fight, The Harder I Fight, The More I Love You
3.Thirty Pounds of Bone – I Cannot Sing You Here, But For Songs Of Where
4.Veronica Falls – Veronica Falls
5.Franz Ferdinand – Right Thoughts, Right Words, Right Action
6.Sparrow & The Workshop – Murderopolis
7.The Pastels – Slow Summits
8.RM Hubbert – Breaks & Bone
9.Monoganon – Family
10. Fidlar – Fidlar
It’s been a busy old week for us. A couple of gigs, a couple of good new releases and quite a few drinks mixed in. As I write this, I feel that I’m treading a fine line between acceptable writing and potentially pissing off Sufjan (and he’s the last guy we want to upset), with our poor use of multiple tenses.
You see, I’ve already referred to Elba Sessions as we and also written I, so is this a one man blog masquerading as a we? No. There are three of us, and we contribute with varied regularity, so we feel okay about the use of we, I, us, them etc… We are often one, regularly two, but vary rarely three, however, over the past week we all managed to get in the same room together, and on that morning commute the day after, we remembered one of the reasons this happens with decreasing regularity! And the reason I bring all this up, is because this is a mixtape, a personal thing, made by one to give to another and the joy of us being a collective and also one being, is that we’ve made you a mixtape but you get the eclecticism of our musical tastes, which like a good venn diagram, overlaps.
And for the record this mixtape that I write of is put together by two, and we hope you love it…
Kim: When Honeyblood were snapped up by Fat Cat records, the song that enamoured us with them so, ‘Super Rat’, was swiftly taken down from their Soundcloud. However, we have been gifted with a beautiful little 7″ single that has lessened this blow almost entirely. Bittersweet ‘Bud’ was released this week and comes on a fitting pink vinyl. This song would be breaking my heart if I weren’t so fascinated with how Stina pronounces bud. Booooouuuud. Honeyblood play Broadcast on the 29th October.
Veronica Falls – My Heart Beats
Kim: Last Sunday ‘The Elba We’ found ourselves stood atop the benches in the basement furnace of Broadcast, swaying to Veronica Falls. This was definitely a different vibe to our last encounter with the band in the CCA. That was a decidedly rapt crowd; still and silent for the show. My pick of audience members this time around was the fellow giving the thumbs up to the bassist for the full show and yelling, thankfully between songs, “enjoy yourself!”
‘My Heart Beats’ from second album Waiting For Something To Happen brought a lot of energy and felt fitting for this mixtape. Single ‘Broken Toy’ was released on Monday and a limited edition 7″ of new song ‘Nobody There’ is down to the last copies. So, buy now or never.
Saint Max & The Fanatics – Conduit
Phil: I must admit, I’ve been excited about this album for quite sometime now. I’m guessing it’s about a year and a half since I first set ears on Max and I was hooked nearly straight away. I find quite often when picking an album track that I end up describing it as ‘the stand out track’, but not here. No, this album is packed full of absolute gems, every one an aural treat. There are horns, there are choppy guitars, there are clever lyrics, the arrangements are great and most of all, it was definitely worth the wait.
Los Campesinos! – What Death Leaves Behind
Phil: There is sometimes a bit of trepidation, I think, when a band releases a couple of albums, each one following a similar formula. You begin to worry a bit. I mean, when is that reggae phase going to kick in? You’ve enjoyed the first three albums because they were what first attracted you to the band, they retained familiarity, but with the news that a new album is due to be released, the fear sets in, surely this is when they decide they need to diversify to develop as a band? I’m thankful that with the new Los Campesinos! album, released next week, that there are no such worries. It’s an album that you feel comfortable with, it sounds exactly like a new LC! album should and long may they keep releasing them. They are an utter joy to listen to.
What Death Leaves Behind comes from the new album, No Blues, out next week
Naked – Lie Follows Lie
Phil: For the past couple of weeks The Pleasance Theatre in Edinburgh has been staging ‘The Pleasance Sessions’, a collection of gigs curated by labels, promoters and other such organisations. This Saturday sees Edinburgh label Song, By Toad stage a label showcase with, well, quite a large amount of their roster playing, including this band, Naked. A three-piece, their music is eerie, hypnotic and totally uplifting. Naked are a bit different to what the label had been releasing so when ‘Lie Follows Lie was released, it somewhat grabbed my attention.
Lily & Madeline – In The Middle
Phil: Female vocalists eh? We seem drawn to them here at Elba. Case, Rose, Marshall, Marling. The list could, quite literally, go on. Lily & Madeline are signed to the continually superb Asthmatic Kitty Records and this track is from The Weight Of The Globe EP released earlier this year. The great news is that a long player comes out later this month. This is dreamy, shimmering and completely gorgeous.
Juana Molina – Sin Guia, No
Kim: This cyclical and hypnotic number from Juana Molina is taken from her sixth studio album Wed 21; due for release on the other side of this weekend. NPR have the album available to stream in advance right now and I highly recommend a listen. I find the distance of not knowing the lyrical content quite liberating, leaving me to enjoy the texture of sounds that she builds. This is all Juana. Voice, words, playing and production. If you like this, wait until you hear Eras!
Roman Nose – Bra-In-I-Ak
Kim: Let me set the scene: On a rainy Glasgow evening, Elba came together in a pungent dungeon, masked, high on the newly printed fabric over our faces and syrupy cider settling in our bellies. Roman Nose, appearing as part of the List Live series, were the pied pipers with their mass of serial dancers. The anonymity of the masked crowd (the cloth being bestowed on entrance) would be quite terrifying to an outsider but once you were one of them, all there was to do was bounce around to the hyper noise of the act. This track, taken from new EP Long Live the Revolver! is a wondrous piece of Space-Pop that shows the range of the noise bearers.
Factory Floor – Real Love (Optimo Remix)
Kim: In 2011 Factory Floor released a relentless synth and noise disco track called Real Love. It is something. Then Optimo took the song, slowed it down and started adding sounds that seem to pay respect to the literal name of the owners. It’s all pneumatic sounds, buzzing, sawing and thwacks. I picked up this 12″ at the Indie Label Market on its stop in the Barras Art & Design Centre, which was full of friendly faces and cake(!). I then played this mix innumerable times until 7am the following morning. That day spiralled somewhat out of control for me. I blame the excitement of cake, beer and records.
A friend commented to me before this gig, that going to see Teenage Fanclub was “just like catching up with old friends”. He’s not wrong. The room is filled with couples and groups of men who clearly have been acquainted with Teenage Fanclub from the early days, probably even before the release of their first album ‘A Catholic Education’. Nobody appears to be able to get around the room without seeing a face they haven’t seen since, well, probably the last Glasgow TFC gig! It’s a nice atmosphere and an atmosphere which I’ve experienced every time i’ve seen TFC.
Indeed, I feel that in my mid-twenties that I’m a youngster in the room, something that doesn’t happen often at gigs these days but despite my age, I remember Bandwagonesque as my earliest TFC memory. Growing up with a brother eight years my elder, I always wanted to listen to whatever music he was listening to. (Incidentally, just done some research and I would have been around 8 when Bandwagonesque was out. Are kids these days listening to The Phantom Band or even the new Teenage Fanclub album. I kinda hope so!)
The sun was shining again on Wednesday evening and really, there is no better weather to get you in the mood for a bit of Teenage Fanclub action. Veronica Falls kicked off the evening as support and it took me a while to decide on them. I think a few sound issues and the slowly filling up venue took it’s toll but the songs sounded good and I’ll definitely be trying to check them out again, maybe in a smaller venue.
The TFC set was mainly made up with songs from the new album ‘Shadows’ as well as a collection of classics from Bandwagonesque, Grand Prix and Songs From Northern Britain with a few others added for good measure. New songs Shock and Awe, The Past and recent single Baby Lee sounded just as good as you would have expected all the old classics to sound. Personal favourites for me on the night were the tracks from the ‘…Northern Britain’ album. Perfect for an early summers eve. Possibly a surprise for me as I regard Grand Prix as my favourite TFC album.
The main set ended with fan favourite Sparky’s Dream but the encore was a real treat. ‘Howdy!’ opener I Need Direction and Everything Flows from first album, ‘A Catholic Education’ finished off proceedings…or so we thought. After the house lights began to come back up we were treated to a rendition of Star Sign. A perfect end to a perfect evening!
Sometimes I Don’t Need To Believe In Anything
It’s All In My Mind
Don’t Look Back
Can’t Feel My Soul
Shock and Awe
I Don’t Want Control Of You
Sweet Days Waiting
Your Love Is The Place I Come From
Ain’t That Enough
When I Still Have Thee
Today Never Ends
I Need Direction
The new album ‘Shadows is out now from all good retailers!