Tagged: laura marling

The Curious Case of Kimjamin Huggon

As I researched the extensive, exclusive Record Store Day releases to try and write something about this year’s vinyl splurge-fest I was drawn to a rather strange collection of material. Usually there are rarities and new releases that I develop an intensity about owning weeks in advance. This year I imagined , the Animal Collective 12″ release of their Guggenheim performance, a new Guided By Voices single, an Of Montreal/Deerhoof split or new-favourite-band-ever-ever-Django Django’s Storm 7″ would fit my habitual pattern.

Worryingly, these did not cause anywhere near the stir that the following did. Before I proceed I wish to note that I MUST be experiencing some sort of late-twenties crisis or at least a peak in hormonal levels. Or something else. Anything else. There has to be a reason for this regression.

The first sign that something was off was my reaction to details of a ZINE with unreleased music from Dirty Projectors, Real Estate, Cass McCombs, John Maus and Villegers on multi-coloured flexi disc. You had me at zine, dominorecordco! Yet, further to this, the zine will include a

short story by James Yorkston, a poem by Laura Marling and some doodles from Alison Mosshart. Oh and not forgetting a cover designed by Bjorn Copeland. A 15 year old Kim would have squealed over a release like this and once attained would clutch the prize to her chest with crazed possessiveness shining from widened eyes. Then it occurred to me that this wasn’t a projection about my adolescent taste but an actual manifestation of my enthusiasm for the product. The picture I have described may well materialise on April 21st in Monorail.

It was mostly downhill from there. Internal bursts of delirium along with defensive thoughts bounced around my head when reading of:

David Bowie – Starman (I don’t care that it is unnecessary to own this!)

She & Him – Volume One (On coloured vinyl!)

Django Django – Storm (What? I still WANT it!)

The Supremes – Baby Love (On-heart-shaped-vinyl. LOOK at it!)

The Velvet Underground – Loaded (ON PINK VINYL!)


At this point I closed the browser tab, regained some control over my sanity and began to type. In fact, disclosing these fleeting thoughts has proven quite therapeutic. I’ve managed to go back, glance again and note that the vast material produced for this muso holiday serves many tastes and various moods. I don’t believe that I will purchase all of the above when RSD rolls around. I do, however, admit that some better preparation and planning may be required to curb any impulse buys.

Then, once it’s all over, I can relax in the assurance that I will once again regain the composure of my adult self. Until May 5th or after this arrives, whichever comes last.

I Made You A Mixtape… Five

A week ago I found myself in conversation with Phil over his idea for a female playlist for Radio Elba. Somewhere between agreeing that it was a good idea and offering my assistance I ended up being responsible for making you a mixtape. Easy. Only, Phil then featured both of my favourite tracks by Wild Flag and La Sera on Four. Dilemma. Over the proceeding week I have chopped and changed, listened to Romance by Wild Flag on loop anyway, and come up with the below. It’s not who I consider to be the greatest female musicians of all time or the cream of new artists but more what I’ve got playing day to day. I’ve always had an eye for the ladies…

tUnE-yArDs – My Country

I find myself struggling to express how much I adore Merrill Garbus’ second album, W H O K I L L, but I do throw it at people’s ear-holes as often as I can to make up for that. My Country is a nice starting for my first mix as it belongs to an album that sits amongst my top three in 2011. The lyrics scream her questioning of the American dream and even caution about doing so ‘the worst thing about living a lie is just wondering when they’ll find out’ alongside a throbbing and insistent clash of sounds; listening is not optional.

THEESatisfaction – QueenS

I think the sun has been a good influence on Phil and I this last week. We’ve both turned to sunnier music. Hazy pop for Phil and meandering funk for myself. THEESatisfaction made up of Stasia Irons and Catherine Harris-White released their album awE naturalE on Sub Pop this week, hopefully reaching some ears a little further afar than their handmade CD albums could. An MP3 of QueenS can be found here

Sleigh Bells – Comeback Kid

There isn’t much I can tell you that you won’t already know about Sleigh Bells. They are entirely a guilty please of mine. I’m a sucker for a loud guitar and a lady; Karen O and Nick Zinner, Alison Mosshart and Jamie Hince/Jack White and now

Alexis Krauss and Derek Edward Miller.

Wild Flag – Something Came Over Me

As I mentioned, a previous mixtape featured Wild Flag’s Romance.  However, their omission from this run of lady-leaden tracks would be insanity. Phil mentioned their supergroup status and I want to add that if I could steal any talent it would be Janet Weiss’. The unfamiliar should watch some Wild Flag and Sleater-Kinney live performances.

My Brightest Diamond – Escape Routes

Shara Worden of My Brightest Diamond has been a constant on my playlists for years now. Her most recent album All Things Will Unwind sees her putting down her guitar and limiting herself to the pseudo-classical style she frequently uses to flesh out arrangements. The album title is explanatory and relevant to this point in her life and reflected in her studio content. This slightly more mellow tone could be a reflection of recent motherhood; something that I find nearly almost brings a change in the female musician’s musical texture. The tone may be softened but Shara’s lyrics remain exquisite and as sensual as ever.

Grass Widow – Disappearing Industries


Widow released their second album this week, having built their own label in order to do so. You can find another new track over on Soundcloud or the excellent Shadow from 2010’s Past Time here.

Lydia Loveless – Can’t Change Me

Another highlight of SXSW posted on blog after blog was the cowboy-booted Lydia Loveless. From the tracks I’ve dipped into she is a fresh and needed break to hazy surf and pop that I’m starting to tire of and doze off to.

Laura Marling – Salinas

If Laura Marling’s most recent album passed you by last year I would highly recommend it. This track in particular shows some really nice vocal developments. She seems to be pulling out a Dylan-esque recitative quite frequently. Lyrically, Salinas is all familial, traditional and identity themed. The scoring is lush; a richer Dear Prudence with a unrelenting banjo firmly planted to let you know that this is folk

Gillian Welch – Scarlet Town

The Harrow and The Harvest topped my end of year album list. Gillian Welch is the mistress of unsettling lyrics. I’m talking about women for this blog but this track would be nothing without Dave Rawlings insane guitar playing. Yes, I definitely want to be either Janet Weiss or Dave Rawlings.

Neko Case – Nothing To Remember

My stalking of Neko Case on Twitter alerted me to her involvement with The Hunger Games movie album tie in. I believe that only The Arcade Fire track appears at the end credits of the movie, the remaining songs must be those ‘from District 12 and beyond’ as per the soundtrack’s explanatory title. I am quite grateful for these ‘inspired by…’ numbers. Any new Neko Case material is a blessing. This was penned as Neko worked through writer’s block. This is what she considers to be a weak offering. If that’s not encouragement enough to go and seek out her material then let me try something else: GO AND LISTEN TO FURNACE ROOM LULLABY! Convinced? Good.


Greetings! We here at Elba wish to offer our sincerest apologies for being quite so hushed last week. As already mentioned in our brief appearances there was some recovery required. We’re back now! Aren’t you glad?

What a lovely week for us to re-appear again as well. Record Store Day falls this Saturday (17th April) and we’ll be talking about that more extensively later in the week. We just wanted to mention it now and encourage you to get yourselves along to Mono, Avalanche and Mixed Up who will be heading up the Glasgow festivities with live bands, silliness (face painting!!!), the token limited edition releases and lots more.

Its also a good week for Swedish music. Former Bon Iver touring companion The Tallest Man on Earth releases The Wild Hunt today. This is Kristian Mattson’s second full length release under his alter ego. He’s a songwriter who echoes Dylan but not in that awful way that you are thinking. That comparison alone would usually put me off were I to read it but it really is an apt summary of his music. However, if your tastes lay more on the grander side, EF return with another great release. They have that magical quality inherent to a lot of Scandinavian music that completely alludes. They make your heart raw with the delicateness of their songs and then make it swell with grand, energetic arrangements.

We’ll have our usual peek at gigs midweek but just wanted to highlight a couple of things happening early this week. Julia & the Doogans, Aspen Tide and Dougie Greig play Pivo Pivo tonight as part of the Exposure Scotland run.

Also over at Oran Mor this very eve a concert for Chilean Earthquake Disaster Fund is taking place with a full and varied line up: Pauline Goldsmith(compere), Ballboy, Ken McCluskey, The Low Miffs, Kid Canaveral, The Boppin Heads, Bruce Morton (comedy), Susan Calman (comedy), “The Wee Man” (comedy), Carlos Arredondo & Galo Ceron, Tam Dean Burn (political theatre), Amy Duncan, Cora Bissett, Rustic City Fathers, Skye Lonegran, Drew Taylor (poetry), Brokeback Jockstrap, Ali Macrae, Mike Gonzalez (guest speaker).

Laura Marling will be appearing at The Old Fruitmarket on Tuesday night. I’m a sucker for pretty folk and she’s just lovely live accompanied by her full band.

Finally, in other live news, Stag and Dagger announced more of their now very busy bill for the May event last week (we’re playing catch up, sorry). Go have a gander here.