Tagged: Glasgow Music and Film Festival

I made you a mixtape…fifteen

Sold out shows seem to be the order of this last week. I’m a little sore about not getting a Bill Callahan ticket for this Saturday’s Celtic Connections appearance. Similar tardiness led to missing out on The National’s docu-tour-fam-dram Mistaken For Strangers at the Glasgow Music and Film Festival, which has a delightful musical accompaniment from the second artist on this, our newest mixtape. Not all is lost though because many a Celtic Connections show has been enjoyed by ourselves, including a couple courtesy of BBC Scotland’s live sessions, plus payday rolled around and now there’s a stack of gig tickets waiting to be taken and torn, leaving stubs to be used as bookmarks. Does anyone else do that, or is it just we two (potentially three)?

Mogwai – Hexon Bogon []

Kim: Mogwai made the top ten!

Mogwai made the top ten!

Mogwai made the top ten!

The band’s scoring of Les Revenants may have been a catalyst for recent popularity, amongst which this week there has been a sold out show at Glasgow Royal Concert Hall as well as their single cask whisky selling out at The Good Spirit Co. Whatever the instigator, it is overdue and long may it continue. Enjoy the swift dramatic rumble of Rave Tapes’ album art-track Hexon Bogon.

Mogwai made the top ten!

Rozi Plain – Humans []

Kim: The last entry I made on Elba was a post packed full of information about the Glasgow Music and Film Festival. There was so much detail that the articulation of my overall enthusiasm may have been drowned out. It’s not often that my giddy chatter will be interrupted by such seriousness but I’ll allow it once again here. One of the most desirable events, as expected, was Mistaken For Strangers at The Glad Cafe. Lost Map Records’ Rozi Plain will play after the screening. Alas it’s now sold out but if you are unfamiliar with last year’s Joined Sometimes Unjoined then Humans should unite you.

Richmond Fontaine – Moving Back Home #2

Phil: This weeks excuse to shoehorn an old Richmond Fontaine track on to the mixtape comes in the form of a new piece of writing. Willy Vlautin, frontman of RF has just had his 4th book, ‘The Free’ published in the US and UK so I thought it was a good excuse to put on one of my favourite tracks. Vlautin’s writing is pretty reminiscent of his songwriting, tales of America set against (mostly) bleak backgrounds. I love reading his books and strangely, for all the gloom and hardship that he writes about, it really makes me want to go on a midwest road trip. Not only is his fourth book released this year, his first book, The Motel Life, has been made into a film. You can see the trailer here.

Kid Canaveral – Who Would Want to be Loved – []

Phil: I’m still muddling through my albums of 2013 for the Scottish BAMS vote and Kid Canaveral’s ‘Now That You’re A Dancer’ is sure to be in the reckoning. They’re releasing this track on hot pink heart shaped vinyl and if that wasn’t romantic enough, they’re having a Lumber Party at Stereo on February 14th ably assisted by Lost Map label mates, Randolph’s Leap, Malcolm Middleton and on the wheels of steel, The Twilight Sad. Hawt!

Pixies – Greens and Blues

Phil: People seem to be a bit down on the Pixies at the moment. Lamenting the passing of a bass player named Kim, saying they aren’t what they were, yes, there may be some truth in these statements but I couldn’t help listening to their latest EP and thinking that this unashamedly poppy hum-along wouldn’t have been out of place when they were in their celebrated prime. In fact, I’m pretty sure it would have been an indie club floorfiller.

Joanna Gruesome – Wussy Void []

Kim: Hey dreamy vocals over punky sounds. You please me. The Weird Sister LP is rich with such style and also has a track entitled Lemonade Grrrl, which has my heart aflutter. Wussy Plain is toned down Joanna Gruesome and still tries to rip apart your eardrums on the chorus. Joanna Gruesome play alongside Speedy Ortiz and Pinact on 15 February at Broadcast. Ear protection is advisable.

PLANK! -Aphidelity []

Kim: Procrastination has its value. I have discovered that when reading through guidelines and policy gets you down, Twitter is always there to while away the hours. I think it was the artist name and title that first stirred me into further investigation. Then I saw the artwork and HOLY CRAP I WANT TO SEE THAT MOVIE WHERE A GIANT BUG DESTROYS A CITY TO A SCORE OF INTERGALACTIC PROGGY-KRAUT-DISCO! So, PLANK! have written a Moroder meets Murphy instrumental. Now we just need a modern day Carpenter (this might not delight many but Rodriguez springs to mind) to make that film.

I made you a mixtape…fifteen by Elbasessions on Mixcloud

Glasgow Music and Film Festival 2014

Glasgow Music and Film Festival returns for its sixth year snug inside the arms of the Glasgow Film Festival with events from 20 February to 2 March. The 2014 programme is laden with inimitable film, footage and performance. My excitement for this yearly calendar event has reached a peak with the quality of the 2014 schedule, a section of which I have highlighted after this rather swell photo of my Grrrl Kathleen.

Kathleen Hanna

This year, the Glasgow Music and Film Festival have a trinity of stimulating live scoring events. Heading this are Admiral Fallow with a Glasgow Film Festival commission to celebrate its tenth anniversary. The full event will feature both new material written to accompany bespoke visual content entitled Ten Takes, as well as familiar sounds played to the backdrop of William S Manson’s 1951 collection of footage Glasgow, No Mean City. The shots of bygone Glasgow against Admiral Fallow’s luscious, layered folk-pop suggest a wistful evening.

Dutch minimalist composer and lute lover (who isn’t?) Josef van Wissem will provide a live score to Partir To Live. The artist was presented the Soundtrack Award at the 2013 Cannes International Film Festival for his work on Jim Jarmusch’s Only Lovers Left Alive. Partir To Live is the directorial debut of Domingo Garcia-Huidobro who describes the work as ‘an experience into sensations, ethical confusion, and physical and psychic contusions’. If you wish to be even more intrigued by the Chilean experimental film then you can watch the trailer here.

Once again the Music and Film Festival will return to Pollokshaws Burgh Hall to utilise the venue’s Wurlitzer pipe organ. Speedy is the silent film selection for this year led by the physical and gentle comedy of Harold Lloyd. Set in New York, Speedy is delightful caper with glorious shots of twenties Manhattan.

Another great strength of the festival has always been the gigs programmed in connection with films and this year is no different. For Requiem For Detroit at The Arches, Pressure present a DJ set by Carl Craig. The techno icon is a fitting selection as the documentary gazes into the slump of the city alongside the positive creative culture that has blossomed. Craig has been a techno and house ambassador to his home whilst supporting the engagement of electronic music within it his entire career.

Mistaken For Strangers is an unofficial tour documentary of The National shot by frontman Matt Berninger’s younger brother, Tom. Hired as a roadie for the tour, Tom proves a hindrance in the way that only a sibling can manage whilst also assisting to reveal a little seen side of the band’s identity. Lost Map’s Rozi Plain who supported The National on their last European tour will perform after the screening. I don’t know whether the film or gig calls to me more!

Finally, I would like to mention one of the more straight-ahead viewings of the festival, which is the Scottish premier of Kathleen Hanna documentary, The Punk Singer. If the next paragraph turns into a massive flap of the fangirl variety, it cannot be helped. Hanna, who returned to music last year with new outfit The Julie Ruin is the indisputable queen of Riot Grrrl. In Sini Anderson’s film, Hanna addresses her career from pioneering punk act Bikini Kill through to her days in Le Tigre (oh the dancing I’ve had to Friendship Station in my excitement over this film’s premier). Supported by interviews with Adam Horovitz, Tavi Gevinson, Kim Gordon, Carrie Brownstein, Corin Tucker, Joan Jett, Johanna Fateman, JD Samdon and Kathi Wilcox this looks to be a definitive record of the feminist figure. The evening will be introduced by Chvrches singer and synth-est Lauren Mayberry, co-founder of layered collective TYCI; for women, by women.

The full list of events is as follows:

– Metalhead, GFT, Fri 21 February, 3.30pm
– Partir To Live, CCA, Fri 21 February, 8.30pm
– Speedy, Pollokshaws Burgh Hall, Sat 22 February, 3pm
– Mistaken For Strangers, Paisley Arts Centre, Sat 22 February, 7pm / Glad Cafe, Tue 25 February, 7.30pm
– The Heart of Bruno Wizard, Sun 23 February, 9pm
– 20 Feet From Stardom, GFT, Tue 25 February, 6pm
– Danny Brown with Rollo Jackson, The Arches, Wed 26 February, 8pm
– Goblin, Oran Mor, Thurs 27 February, 8pm
– Requiem for Detroit, The Arches, Fri 28 February, 7.30pm
– The Punk Singer, GFT, Fri 28 February, 9pm
– Admiral Fallow – We Are Ten, Old Fruitmarket, Sat 1 March, 7pm
– Living Is Easy With Eyes Closed, Cineworld, Sat 1 March, 8.30pm

Further details on all of the above can be found on the Glasgow Music and Film Festival website. Tickets go on sale this Friday (24 January)