Category: i made you a mixtape

I made you a mixtape…fifteen

Sold out shows seem to be the order of this last week. I’m a little sore about not getting a Bill Callahan ticket for this Saturday’s Celtic Connections appearance. Similar tardiness led to missing out on The National’s docu-tour-fam-dram Mistaken For Strangers at the Glasgow Music and Film Festival, which has a delightful musical accompaniment from the second artist on this, our newest mixtape. Not all is lost though because many a Celtic Connections show has been enjoyed by ourselves, including a couple courtesy of BBC Scotland’s live sessions, plus payday rolled around and now there’s a stack of gig tickets waiting to be taken and torn, leaving stubs to be used as bookmarks. Does anyone else do that, or is it just we two (potentially three)?

Mogwai – Hexon Bogon []

Kim: Mogwai made the top ten!

Mogwai made the top ten!

Mogwai made the top ten!

The band’s scoring of Les Revenants may have been a catalyst for recent popularity, amongst which this week there has been a sold out show at Glasgow Royal Concert Hall as well as their single cask whisky selling out at The Good Spirit Co. Whatever the instigator, it is overdue and long may it continue. Enjoy the swift dramatic rumble of Rave Tapes’ album art-track Hexon Bogon.

Mogwai made the top ten!

Rozi Plain – Humans []

Kim: The last entry I made on Elba was a post packed full of information about the Glasgow Music and Film Festival. There was so much detail that the articulation of my overall enthusiasm may have been drowned out. It’s not often that my giddy chatter will be interrupted by such seriousness but I’ll allow it once again here. One of the most desirable events, as expected, was Mistaken For Strangers at The Glad Cafe. Lost Map Records’ Rozi Plain will play after the screening. Alas it’s now sold out but if you are unfamiliar with last year’s Joined Sometimes Unjoined then Humans should unite you.

Richmond Fontaine – Moving Back Home #2

Phil: This weeks excuse to shoehorn an old Richmond Fontaine track on to the mixtape comes in the form of a new piece of writing. Willy Vlautin, frontman of RF has just had his 4th book, ‘The Free’ published in the US and UK so I thought it was a good excuse to put on one of my favourite tracks. Vlautin’s writing is pretty reminiscent of his songwriting, tales of America set against (mostly) bleak backgrounds. I love reading his books and strangely, for all the gloom and hardship that he writes about, it really makes me want to go on a midwest road trip. Not only is his fourth book released this year, his first book, The Motel Life, has been made into a film. You can see the trailer here.

Kid Canaveral – Who Would Want to be Loved – []

Phil: I’m still muddling through my albums of 2013 for the Scottish BAMS vote and Kid Canaveral’s ‘Now That You’re A Dancer’ is sure to be in the reckoning. They’re releasing this track on hot pink heart shaped vinyl and if that wasn’t romantic enough, they’re having a Lumber Party at Stereo on February 14th ably assisted by Lost Map label mates, Randolph’s Leap, Malcolm Middleton and on the wheels of steel, The Twilight Sad. Hawt!

Pixies – Greens and Blues

Phil: People seem to be a bit down on the Pixies at the moment. Lamenting the passing of a bass player named Kim, saying they aren’t what they were, yes, there may be some truth in these statements but I couldn’t help listening to their latest EP and thinking that this unashamedly poppy hum-along wouldn’t have been out of place when they were in their celebrated prime. In fact, I’m pretty sure it would have been an indie club floorfiller.

Joanna Gruesome – Wussy Void []

Kim: Hey dreamy vocals over punky sounds. You please me. The Weird Sister LP is rich with such style and also has a track entitled Lemonade Grrrl, which has my heart aflutter. Wussy Plain is toned down Joanna Gruesome and still tries to rip apart your eardrums on the chorus. Joanna Gruesome play alongside Speedy Ortiz and Pinact on 15 February at Broadcast. Ear protection is advisable.

PLANK! -Aphidelity []

Kim: Procrastination has its value. I have discovered that when reading through guidelines and policy gets you down, Twitter is always there to while away the hours. I think it was the artist name and title that first stirred me into further investigation. Then I saw the artwork and HOLY CRAP I WANT TO SEE THAT MOVIE WHERE A GIANT BUG DESTROYS A CITY TO A SCORE OF INTERGALACTIC PROGGY-KRAUT-DISCO! So, PLANK! have written a Moroder meets Murphy instrumental. Now we just need a modern day Carpenter (this might not delight many but Rodriguez springs to mind) to make that film.

I made you a mixtape…fifteen by Elbasessions on Mixcloud

I made you a mixtape…fourteen

Invigorated after the new year? Nope, us either. To do lists are growing by the second and whilst good times are afoot there’s also a bit of trepidation around here about just where we’ll start? Thankfully, music seems to bring us a bit of respite so we’ve chucked together a menagerie of tunes that are helping us get into gear for 2014.

Malcolm Middleton – Red Travellin’ Socks []

Kim: If there were ever a song to make me light of step, it’s Red Travellin’ Socks. Amidst a haze of trekking around Scotland to work on far too many gigs over a short space of time, I have a very vivid memory of watching Malky and band play this live. Some uptempo honesty regarding the tidal push and pull of life on the road was elevated with added violin at the time. As noted above, we’re needing a bit of momentum right now and this is the perfect instigator. Malcolm will be bringing his mostly melancholy sound to Celtic Connections, playing Platform on 25th of January. 

The New Medicants – This Time

Phil: As we alluded to on Monday’s post, The New Mendicants hit Glasgow next weekend as part of Celtic Connections, this track is taken from their Australia EP out last year. Their new album is released on January 27th, two days after they play the aforementioned gig at The Arches.

FOUND – Mullokian (Toad Session) 

Kim: Song By Toad Records are celebrating five years of releases with a very special . Amongst the mass of material contained on the five 12″ albums is a Toad Session recording of FOUND’s debut single Mullokian. It’s a soothing rendition with beautiful rippling guitar; stripped back for the tech tinkers. This was the song that began my love for FOUND. This love can be traced all the way back to 2006 when I was, in my ever delicate manner, shoving the song in the face of Mr Elba (Author’s note: Phil, this is your name now so please expect to be addressed thusly forevermore). Such Elba history makes for a more than solid reason for inclusion on our current mixtape. 

RM Hubbert – Bolt

Phil: A favourite track from 2013, ‘Bolt’ was taken from RM Hubbert’s third album, Breaks and Bone. It’s a reply to a Nicola Roberts song don’t you know which incidentally Hubbert will advise that everyone should own, along with any Minutemen album. RM Hubbert plays the Mitchell Library next Tuesday as part of Celtic Connections

Appletop – Johnny’s Theme [DOWNLOAD]

Phil: Armellodie Records’ latest signing Appletop, are French. They also seem to like Pavement and Teenage Fanclub. You should probably know this pleases me greatly. With a hummable chorus, this song hasn’t left my head so far this year. I’m really looking forward to their album which is due out in spring.

Tideland – Dinosaur

Phil: There’s not too much that I know about Tideland, but I’ve been really enjoying their punky slacker rock sounds over the last few weeks. Hailing from Sterling, Virginia, Tideland released their album, ‘Lull’, on Russian Winter Records last year. Dinosaur is one of several tracks I could have put on the mixtape but being that my compadre, Kim, has a bit of a thing for dinosaurs, this was the obvious choice.

Janelle Monáe (feat. Prince) – Give Em What They Love

Kim: I am intensely drawn to Janelle Monáe’s artistry. There is an almost extinct ambiguity in contemporary music between performing persona and personal life. Where there have been pushes and prods by the media to pinpoint if any of her lyricism is reflective of her character, Monáe has managed to retain a great amount of mystery. Gender and sexuality load what she creates, more so here than on most other tracks. Just as Eryka Badu brought such energy to Q.U.E.E.N., Prince helps to layer on the filth in Give Em What They Love. The bass and melodic synch are core in the first half of this song before it breaks and you can happily lose your shit over the joy of brass, organ, solo guitar and some controlled yells and rasps from The Electric Lady herself. The track flutters out on an orchestral coda, the suite nature of Monáe’s debut returning once again on the 2013 sophomore album.

I made you a mixtape…fourteen by Elbasessions on Mixcloud

I Made You A Mixtape…Thirteen (uh-oh)

Winter is here, we’re thinking A LOT about our forthcoming gig calendar over the next few weeks, and our heads have been somewhat turned by the fact that it’s the season to be ok with listening to Sufjan Stevens’ Christmas output. As with tradition in this festive period, we’ve indulged…

The Twilight Sad – Cold Days From The Birdhouse []

Kim: As your mixtape makers will be attending The Twilight Sad’s first of two sold out shows playing debut album Fourteen Autumns & Fifteen Winters in King Tut’s, it feels important to honour this song. Yet, as I write this I can’t help but feel my attachment to Cold Days From The Birdhouse is a very personal one. I would prefer to not contextualise what the textures and lyrics of this song might have invoked in me back in 2007 but without doing so it’s difficult to express the song’s impact. So, I have aimed to identify some of the constructs that brought about my affinity to to Fourteen’s first track. The gentle and raw opening combines soft tones with an unrelenting note being bashed out on the piano. This serves as the perfect example of the juxtaposition present in near every facet of this song. That gentle opening changes to a deafening bulk. Lyrically almost every sentiment is met with hurt. I feel I can empirically and impersonally impart that James Graham has such great power in his voice that a vague lyric can sting as much as one of confession. We may be sobbing into our pints near the sound desk that Friday night.

Super Adventure Club – Fuck the Pop []

Phil: This track is Super Adventure Club all over. If you were lucky enough to witness a live show in their sadly shortened tenure, you will be familiar. Technically, outrageously awesome. I rarely attended a SAC show where I wasn’t in awe of how disgustingly proficient they were on their weapon of choice. They released their posthumous album this week on Armellodie. It’s bloody good. I hope we hear more, sometime in the future (despite posthum-ity). Just imagine a horse in a lab coat dancing, turn the volume up to 11 and this is Super Adventure Club at their best.

Sparrow & The Workshop – One Brush [DOWNLOAD]

Kim: Every so often a little treat appears online. Bands are getting good at disseminating early versions of tracks, live material and album overflow. Sparrow & The Workshop made their track One Brush free to download last week, stating that they didn’t have room for it on this year’s Murderopolis. This song is all drums, distorted guitar and Jill O’Sullivan’s chant. It’s a piercing vocal. At just over two minutes it’s a brief, visceral listen that ends very abruptly. Cracking.

Neko Case – Man

Kim: Neko Case’s most recent album The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You, managed to overwhelm me this year despite my ridiculous levels of expectation. I’ve picked Man for this mixtape in which Neko explores her masculine side. After the show this weekend we hope to befriend Neko, whereupon she will invite us to live on her farm. There we will spend our days playing ditties on the piano in her kitchen, brushing Norman her horse, eating cereal and watching Adventure Time. It’s going to be swell.

Withered Hand – Black Tambourine []

Phil: A very late contender to song of the year. If you know me, and my fascination with all things Teenage Fanclub, you can probably see why I was so smitten here. It passed the pre-bath dance test with my 2 year old and Withered Hand is in my 6 year old nephew’ top 3 musicians (Euros and Pictish Trail are the other two, if you’re interested. Dude.) so there’s some other reasons why I’m drawn. He’s got a new album out next year and this little ray of sunshine is the ideal appetiser. Can’t wait!

Randolph’s Leap – One More Sleep ’til Christmas

Phil: Is there a more adorable band around here than Randolph’s Leap? No, probably not. They continue to display just what a solid band they are every year with release after release. This year they released an EP on Olive Grove Records, next year an album on Lost Map beckons. If you go to gigs regularly in Glasgow then you’ll have struggled to miss them, prolific is the best word. If you have missed them, then head along to George Square in Glasgow this Monday evening , hopefully they’ll play this little ditty. We’ll be standing with a mulled wine having a smile.

Freelance Whales – Winter Seeds

Phil: I feel a bit hypocritical here, but whilst we’re canvassing opinions on favourite albums and songs for our Elba Annual, I’m not sure you can actually have one truly favourite song, above all else. I’m more of the opinion that certain songs or albums fit an occasion, time or in this case, a season. Some songs evoke feelings and this, Winter Seeds by Queens’ Freelance Whales is cold weather music all over. Still, it makes me feel a little warm and fuzzy inside.

Sufjan Stevens – Do You Hear What I Hear?

Kim: I’ve done it. I’ve gone too far. I’ve gone as indulgent as I can go this month. I knew that there was a chance that we might feature some festive music and I had nine minutes and fourteen seconds of trippy electronic Sufjan goodness in mind for the occasion. I was considering how to broach it’s inclusion just as Asthmatic Kitty’s Winter Sampler appeared. Whilst this track does not appear, Christmas Woman off of Silver and Gold does and it is just one of many excellent tracks from the AK roster available for free download. Chris Schlarb, Lily & Madeline, Fol Chen and Helado Negro all feature.

I Made You A Mixtape…Thirteen by Elbasessions on Mixcloud

I Made You A Mixtape…Twelve

As a fortnightly mixtape, we’ve found ourselves getting rather giddy days before we actually publish this post, and it’s because we’re so eager to share it. Isn’t that the point of a mixtape after all? Over the past few weeks we’ve been once again immersing ourselves in the latest sounds to come our way as we prepare for the weekend of gigging which is actually, already underway. Miaoux Miaoux last night, Pixies tonight and Shellac tomorrow, but for now, here’s our latest mix.

Book Group – Victory Lap

Phil: Gerry Loves Records have been quite a launchpad for artists over the last few years and I’d expect their latest release, a double A side from Edinburgh based Book Group, to lead on to bigger things for the band. The release comprises of two catchy as you like indie pop tunes which truth being told, I struggled to choose between for this mixtape. I’ve plumped with opener, and live favourite, Victory Lap, a rousing slacker-ish rock track which has had me humming the chorus in my head since I set my ears on it. The AA side is released on Nov 25th and they play a couple of launch shows in Glasgow and Edinburgh next week, details here.

Frightened Rabbit – The Modern Leper []

Phil: I mentioned the gigs which we are headed to this weekend. Last weekend however, there were a plethora of ‘epic rawk n roll’ shows going on in Glasgow, very few of which had tickled our fancy. However, I couldn’t help but have pangs of  jealousy as I saw the tweets come in about the Frightened Rabbit gig at the Academy. I would have dearly loved to have been there and seen them open with Holy, before moving on to this one, The Modern Leper, from 2008’s ‘The Midnight Organ Fight’.

The Nightingales – The Book of Right On [DOWNLOAD]

Kim: Last week something marvellous happened. The Nightingales, who I like to think of as the band who just keep coming back for more, made a song available for free download. The track they decided to gift to all was a cover of Joanna Newsom’s The Book of Right-On. What has been delivered is, I think, a really interesting study into how songs are perceived. I’m a huge fan of Newsom and I’ve had many conversations over whether her music is accessible and with how difficult people find her song-structure. In this rendition, there is so little melodic deviation from the original track and yet it feels like a song that’s too straightforward for The Nightingales. The lower register of the harp is used as a rooting bass line for this playful incarnation and the verses are so charming with the little percussive flares. Grab this one here and give the two a play, side by side.

Woven Tents – Kids In The Park []

Phil: Woven Tents are a band I know very little about but they provide one of the many excellent tracks which make up Dirty Beard Monthly’s first compilation. ‘Kids In The Park’ is a fuzzy psychadelic trip through jazz and rock and is the ideal buffer for the tracks which follow on the compilation, which you can download, for free! This track is taken from the recently released ‘Leave Your Monsters At Home‘ EP.

Water of Life – Liquid City/The Shellycoat []

Phil: Water of Life is a collaboration between musician Rob St.John and artist Tommy Perman (ex-FOUND) and is probably one of the most fascinating projects I’ve seen. The tracks were inspired and made by exploring the natural and unnatural water flows throughout Edinburgh. I can’t quite do the project justice here, but really, go, look, enjoy, wonder and immerse yourself in the website they’ve put together. There’s field recordings, some fantastic photography and words about their expeditions and I’ve already lost a fair few evenings getting lost in it all. Oh, and there’s a sound map. I.am.in.heaven.

‘Water of Life’ is released on December 9th as a Ltd Ed 7″ folio, including a 7″, essays and prints as well as a digital download of the tracks.

Miaoux Miaoux – Stop The Clocks []

Kim: This month the ListLive event in Stereo, which Elba are this very day recovering from, provided their platform to Chemikal Underground dance darling Miaoux Miaoux. Julian Corrie’s dreamy indie-electro music arrived last year on debut album Light of the North, which very deservedly made its way onto the Scottish Album of the Year longlist. Stop The Clocks is a song that pulls back from his playful electro-pop into something more emotional. As set closer it really cemented itself as a pivotal number. It opens on ringing fingerpicked electric guitar and a muted beat.  Julian’s voice is soft and pure here but his little percussive breaths break in and let you know that this song is not what you thought it was going to be.  When the synth appears it causes a great swell of breath to the lungs. This track is not overcomplicated in scoring. It does what it needs to. When the instrumental breaks it is time to dance, all the way to the crescendo and then through it, into the light.

Jo Mango – When We Lived in the Crook of a Tree []

Kim: Female artists telling grand stories are a great weakness of mine. Jo Mango’s upcoming EP When We Lived in the Crook of a Tree is a delicate weave of tales; threading myth, the mystical and the grim(m). After an early morning listen, I marked it as this year’s whimsical winter music. There will be nothing better than navigating icy paths to these sparkling tracks. The scoring on this title track is sparse to begin with and her voice is so fragile that you are left feeling vulnerable. The chorus is a pain-stricken mourning of the loss of a home and hideaway. By the time the sound fleshes out, you may very well be reduced to tears. When We Lived in the Crook of a Tree is being released by the lovely people over at Olive Grove Records on the 2nd December and Jo Mango plays The Glad Cafe on 14th December. She will also be appearing on the delectable Olive Grove label showcase in the Oran Mor on the 26th January as part of Celtic Connections.

Casual Sex – Soft School

Kim: Up and coming Casual Sex are back on home soil after a long and hard spell on the road supporting Franz Ferdinand. The Bastard Beat EP launch is tonight in Nice N Sleazy with support from noise monsters Halfrican and dirty synth duo Ubre Blanca. I’m a little bit obsessed with the Ubre track Taxed. It would be the perfect score to Snake Plissken’s Escape From Glasgow. I don’t think Kurt Russell would make it out alive. Picking a track of the headliner for this mix was a fucking good job to do. Casual Sex have amassed a tight little package of heavy surf-rock. There’s no wistfulness here, just jaggy 80s rock fitting for the titular act. Soft School was the b-side on the Stroh 80 single released earlier this year. Did I miss any innuendo?

Shellac – Canada

Kim: This weekend, Phil and myself have both opted for all out nostalgia with our gig choices. Where Phil will be listening to the sounds of Black Francis and his merry men (literally as, alas, there will be no Kim Deal – a deal breaker, personally), I will be off to SWG3 to be ear bashed by Shellac [of North America].  Shellac seem to illicit mad cackles from me. Their minimalist rock is unrelenting and it instills a craziness in my mood. Canada fits into what has become the place on the song list for my indulgent track. This is the track that will make no sense anywhere else on the mix so it gets jammed on at the end BECAUSE I LOVE IT and it just MUST be on the mix! I can think of only one other artist who might surpass the closing artists on these last three mixtapes for all out gushing. I wonder if I will find some tenuous reason to work them into a future mixtape. Watch this space.

I Made You A Mixtape…Twelve by Elbasessions on Mixcloud

I Made You A Mixtape…Eleven

We continue our collaborative mixtape making this week with number eleven in the series. It has been a fortnight of fewer gig trips, though not of lesser bands. We have a stack of tickets for approaching shows so some down time was definitely required. To achieve this, we have been putting our feet up and indulging in some lazy Sunday listening sessions, aided by some fantastic record re-issues. One of us jumped aboard the great unstoppable music bandwagon thanks to some great artistry and direction for a live music video. We both have unashamedly been overexposing ourselves to this fortnight’s tracks and we’re already stacking songs for the next mix.

The two of Elba that bring you Eleven have been bullying the other into listening to whatever each is excited about for more years than we’d care to count now. Well, I bully. Phil is patient and understanding when three weeks after he told me about a band I appear sporting a band tee or tote, demanding we go to see them on whatever dreary, rain-sodden Glasgow weeknight they might be playing. These mixtapes are turning into an endless and beautiful discussion for Elba and have us appreciating music both near and far. Hopefully they will fall on open ears.

Just Handshakes – London Bound 

Phil: I have a really bad habit of storing up music, be it things that were sent to me, or stuff that I buy. Months will go past before I remember I have it. That happened with this track, well, the whole single. I acquired it on I forget who’s recommendation but it’s bloody good and to be quite honest would have been ideal in the warm summer months. It’s sweet indie pop at it’s very best. And being that it’s November, the band are giving away their track of the same name free, for the rest of the month.

La Sera – Please Be My Third Eye 

Kim: Elba’s love of Kickball Katy Goodman should be no mystery.  La Sera have stolen and broken our hearts on a previous mixtape. We’ve been charmed by her tour photos and updates over the course of their current US tour.  I’d advise following Katy on whatever online stalking means that you prefer to accompany a listen of her sophomore pop-punk singalong. I’ve returned to Sees The Light and have been bopping about my flat (in the fashion of dance trendsetter Greta Gerwig) with a gigantic grin on my face.

Poor Things – Morgan 

Kim: Phil would probably be better to put across his thoughts on Morgan as his reaction to it has just been lovely. Poor Things are a Glasgow indie jangly pop-rock trio that invoke the spirit of Steven Malkmus and Teenage Fanclub. The upbeat guitars and melodic vocals have won us completely. Those chorus ‘ooohs’ and that guitar break just tip this track into the ‘on constantly’ (aka mixtape) pile.  Poor Things play 13th Note on 20th November. 

Monoganon – Best Pals 

Phil: It struck me the other week that we’re all going to start trying to pick our albums of the year again soon. This year has flown by, it feels like it wasn’t that long since I did last year’s and now that merry-go-round is imminent again. It’s often quite easy, on early listens to a really good album, to proclaim it as probably one of the albums of the year, but I really think with Family, Monoganon have nailed it. It’s certainly going to be right up there on many peoples lists. And with tracks like this, why the hell not?

Blood Relatives – A Murder Of Crows 

Phil: I have been waiting impatiently for this album to be released for a very long time and I’m pleased to report that when it arrived it had all the indie-folk-pop hooks that I could have wanted. Pretty much every song is memorable and this one reminds me a bit of Sons and Daughters. I think it’s the ‘oh oh ohhhhhhhhhhs…’. Blood Relatives play RBS Museum Lates in Edinburgh tonight.

Siobhan Wilson – Laugh Or Die 

Phil: There are some tracks I find hard to write about. There’s not much I can say about this one other than I was completely and utterly smitten the first time I heard it and I still love it more each time I hear it. In fact, I think me and this track will just get a room.

Mogwai – Remurdered 

Kim: I’ve already dedicated a post to this track. It was my musical highlight of last week. Mogwai continue their ingenious trail through music with first offering off of next year’s The Rave Tapes. That three minute mark is joyous. I will leave it at that before I turn into a squealing fan-girl. 

David Bowie – Love Is Lost (Hello Steve Reich Mix by James Murphy for the DFA) 

Kim: The David Bowie Love Is Lost remix is finally available for ownership.  I have abused the Soundcloud of this track since it was revealed in October. This is not a track that should require any further exposure but I would be amiss not to include it on this mixtape.  DFA hero and centre of the shining  LCD Soundsystem (we miss you!) disco ball James Murphy honours the great Steve Reich via handclap in his remix of David Bowie song Love Is Lost.  It sounds like something that could never top its description. Guess what? Yup. So, if I manage to play a part in bringing this mix to just one more person in the world, I’ll be happy. Despacio, the custom built soundsystem made and helmed by Mr Murphy and 2manydjs, is setting up in London late December. Oh!  How I wish I were going.

I Made You A Mixtape…Eleven by Elbasessions on Mixcloud

I Made You A Mixtape…Ten

It’s been a busy old week for us. A couple of gigs, a couple of good new releases and quite a few drinks mixed in. As I write this, I feel that I’m treading a fine line between acceptable writing and potentially pissing off Sufjan (and he’s the last guy we want to upset), with our poor use of multiple tenses.

You see, I’ve already referred to Elba Sessions as we and also written I, so is this a one man blog masquerading as a we? No. There are three of us, and we contribute with varied regularity, so we feel okay about the use of we, I, us, them etc… We are often one, regularly two, but vary rarely three, however, over the past week we all managed to get in the same room together, and on that morning commute the day after, we remembered one of the reasons this happens with decreasing regularity! And the reason I bring all this up, is because this is a mixtape, a personal thing, made by one to give to another and the joy of us being a collective and also one being, is that we’ve made you a mixtape but you get the eclecticism of our musical tastes, which like a good venn diagram, overlaps.

And for the record this mixtape that I write of is put together by two, and we hope you love it…

I Made You A Mixtape…Ten by Elbasessions on Mixcloud

Honeyblood – Bud

Kim: When Honeyblood were snapped up by Fat Cat records, the song that enamoured us with them so, ‘Super Rat’, was swiftly taken down from their Soundcloud. However, we have been gifted with a beautiful little 7″ single that has lessened this blow almost entirely. Bittersweet ‘Bud’ was released this week and comes on a fitting pink vinyl. This song would be breaking my heart if I weren’t so fascinated with how Stina pronounces bud. Booooouuuud. Honeyblood play Broadcast on the 29th October.

Veronica Falls – My Heart Beats

Kim: Last Sunday ‘The Elba We’ found ourselves stood atop the benches in the basement furnace of Broadcast, swaying to Veronica Falls. This was definitely a different vibe to our last encounter with the band in the CCA. That was a decidedly rapt crowd; still and silent for the show. My pick of audience members this time around was the fellow giving the thumbs up to the bassist for the full show and yelling, thankfully between songs, “enjoy yourself!”

‘My Heart Beats’ from second album Waiting For Something To Happen brought a lot of energy and felt fitting for this mixtape. Single ‘Broken Toy’ was released on Monday and a limited edition 7″ of new song ‘Nobody There’ is down to the last copies. So, buy now or never.

Saint Max & The Fanatics – Conduit

Phil: I must admit, I’ve been excited about this album for quite sometime now. I’m guessing it’s about a year and a half since I first set ears on Max and I was hooked nearly straight away. I find quite often when picking an album track that I end up describing it as ‘the stand out track’, but not here. No, this album is packed full of absolute gems, every one an aural treat. There are horns, there are choppy guitars, there are clever lyrics, the arrangements are great and most of all, it was definitely worth the wait.

Los Campesinos! – What Death Leaves Behind

Phil: There is sometimes a bit of trepidation, I think, when a band releases a couple of albums, each one following a similar formula. You begin to worry a bit. I mean, when is that reggae phase going to kick in? You’ve enjoyed the first three albums because they were what first attracted you to the band, they retained familiarity, but with the news that a new album is due to be released, the fear sets in, surely this is when they decide they need to diversify to develop as a band? I’m thankful that with the new Los Campesinos! album, released next week, that there are no such worries. It’s an album that you feel comfortable with, it sounds exactly like a new LC! album should and long may they keep releasing them. They are an utter joy to listen to.

What Death Leaves Behind comes from the new album, No Blues, out next week

Naked – Lie Follows Lie

Phil: For the past couple of weeks The Pleasance Theatre in Edinburgh has been staging ‘The Pleasance Sessions’, a collection of gigs curated by labels, promoters and other such organisations. This Saturday sees Edinburgh label Song, By Toad stage a label showcase with, well, quite a large amount of their roster playing, including this band, Naked. A three-piece, their music is eerie, hypnotic and totally uplifting. Naked are a bit different to what the label had been releasing so when ‘Lie Follows Lie was released, it somewhat grabbed my attention.

Lily & Madeline – In The Middle

Phil: Female vocalists eh? We seem drawn to them here at Elba. Case, Rose, Marshall, Marling. The list could, quite literally, go on. Lily & Madeline are signed to the continually superb Asthmatic Kitty Records and this track is from The Weight Of The Globe EP released earlier this year. The great news is that a long player comes out later this month. This is dreamy, shimmering and completely gorgeous.

Juana Molina – Sin Guia, No

Kim: This cyclical and hypnotic number from Juana Molina is taken from her sixth studio album Wed 21; due for release on the other side of this weekend. NPR have the album available to stream in advance right now and I highly recommend a listen. I find the distance of not knowing the lyrical content quite liberating, leaving me to enjoy the texture of sounds that she builds. This is all Juana. Voice, words, playing and production. If you like this, wait until you hear Eras!

Roman Nose – Bra-In-I-Ak

Kim: Let me set the scene: On a rainy Glasgow evening, Elba came together in a pungent dungeon, masked, high on the newly printed fabric over our faces and syrupy cider settling in our bellies. Roman Nose, appearing as part of the List Live series, were the pied pipers with their mass of serial dancers. The anonymity of the masked crowd (the cloth being bestowed on entrance) would be quite terrifying to an outsider but once you were one of them, all there was to do was bounce around to the hyper noise of the act. This track, taken from new EP Long Live the Revolver! is a wondrous piece of Space-Pop that shows the range of the noise bearers.

Factory Floor – Real Love (Optimo Remix)

Kim: In 2011 Factory Floor released a relentless synth and noise disco track called Real Love. It is something. Then Optimo took the song, slowed it down and started adding sounds that seem to pay respect to the literal name of the owners. It’s all pneumatic sounds, buzzing, sawing and thwacks. I picked up this 12″ at the Indie Label Market on its stop in the Barras Art & Design Centre, which was full of friendly faces and cake(!). I then played this mix innumerable times until 7am the following morning. That day spiralled somewhat out of control for me. I blame the excitement of cake, beer and records.